Vhavenda, Bavenda Orientation Identification and Location. The Venda traditionally occupy an area in and around the Soutpansberg Mountains in the northeastern section of South Africa 's Northern Province, close to the borders with Mozambique and Zimbabwe. The name Venda refers to both the people and the territory they inhabit. The eastern boundary of this region is formed by the Kruger National Park on the border of Mozambique.
Structural functionalism Nineteenth century " armchair anthropologists " were concerned with the basic question of how religion originated in human history. In the twentieth century their conjectural histories were replaced with new concerns around the question of what these beliefs and practices did for societies, regardless of their origin. In this view, religion was a universal, and while its content might vary enormously, it served certain basic functions such as the provision of prescribed solutions to basic human psychological and social problems, as well as expressing the central values of a society. Bronislaw Malinowski used the concept of function to address questions of individual psychological needs; A. Radcliffe-Brown , in contrast, looked for the function purpose of the institution or custom in preserving or maintaining society as a whole. They thus disagreed about the relationship of anxiety to ritual. Homans sought to resolve these opposing theories by differentiating between "primary anxieties" felt by people who lack the techniques to secure results, and "secondary or displaced anxiety" felt by those who have not performed the rites meant to allay primary anxiety correctly.
Overview General characteristics It is difficult to give a useful summary of the main characteristics of the art of sub-Saharan Africa. The variety of forms and practices is so great that the attempt to do so results in a series of statements that turn out to be just as true of, for example, Western art. Thus, some African art has value as entertainment; some has political or ideological significance; some is instrumental in a ritual context; and some has aesthetic value in itself. More often than not, a work of African art combines several or all of these elements.
There are five major African initiation rites which are fundamental to human growth and development. These rites were originally established by African ancestors while they were living in order to link the individual to the community and the community to the broader and more potent spiritual world. Initiation rites are a natural and necessary part of a community, as are arms and legs natural and necessary extension of the human body.
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